The Submission is the Point

The Venice Biennale is an annual art exhibition designed to showcase the work of artists around the world. Open to exhibitors from any country with diplomatic relations with Italy, the event includes an official Israeli exhibit -- a fact which has unsurprisingly drawn the ire of those demanding a complete cultural boycott of Israel.

This year, though, there was a bit of a twist on that tale: the Israeli representative, Ruth Patir, elected to close her own exhibit "a cease-fire and hostage release agreement is reached."

Patir -- who has been a regular participant in pro-ceasefire/anti-Bibi protests in Israel -- is not characterizing her decision as endorsing a boycott of Israel, which she emphasized she opposes, and I think we should respect her framing of her own actions. Much like with Natalie Portman, there's no reason to think that Patir does not know or understand the choices she's made.

But I don't really want to focus on the what Patir did, exactly. Rather, I want to take a look at how her decision was received by those who were demanding the removal of the Israeli exhibit. Consistent with the above, it would not be right to say that Patir was joining the boycotters. But it certainly seems like her actions were aligned with what the boycotters seem to want. 

Yet their reaction is, well, I would say it is very interesting and very revealing. What it reveals, in particular, is how the goal of this campaign is very clearly not to create a space where Israelis come out in opposition to the violent practices of their government, or more broadly one that creates space for an imagined future where Israelis and Palestinians relate to one another as equals. They do not see Israelis as potential partners even in an imagined futures. They see Israelis as enemies who must be made to submit. The submission, above all else, is the point.

Here's how they characterize Patir's decision vis-a-vis their campaign:

“The artistic team of the Israeli pavilion has retreated as a direct consequence of widespread pressure and our collective campaign.”

Note the framing. Patir "retreated" in the face of "pressure". She did not, under this telling, voluntarily align with -- even partially -- the effort to end the war in Gaza. She is not an example of someone stepping out from an (under this telling) benighted framework to see the essential need to speak out. She did not even make a volitional choice on her own. She was forced, coerced, compelled to back down. That's the victory -- not "Israeli publicly demands ceasefire", but "Israeli publicly forced to yield."

And having secured the dominant position, are the boycotters magnanimous in their claimed victory? Not at all. Her will may have been bent; but it must be broken. Referring to the fact that the closed exhibit can still be seen through the windows, the boycotters make clear that Patir remains firmly in the camp of an enemy to be crushed:

The Genocide Pavilion has been forced to respond to 24,000 signatories who condemn the Israeli genocide against Palestinians in Gaza but, contrary to the artistic team’s claims, they have not withdrawn, the pavilion has not been closed. 

ANGA reiterates its demand to shut down the pavilion in its entirety.

ANGA does not applaud empty and opportunistic gestures timed for maximum press coverage, and leaving video works on view to the public....

Leave aside the almost absurd richness of complaining about "gestures timed for maximum press coverage" (how is that a bad thing in this context?). The boycotters will not be satisfied until it is clear that Patir has yielded, that her choices are not her own, that what happens to her is something imposed upon her against her will. It is not elevating the call for a ceasefire, it is not even (really) the closure of the exhibit, that was desired here. It is the submission that is the point, and that has not yet adequately been achieved.

This type of politics rings familiar. It called to mind Justice Alito's contradictory desire "to bludgeon the legal community into freely accepting his preeminence." It's not enough for him to prevail on the formal terrain of saying what the law is, the legal community must yield to his superiority. I saw a similar dynamic in some circles of the 2020 Bernie Sanders campaign -- when it looked like he was on the path to victory, some of his backers looked ecstatically at the prospect that the Democratic Party establishment would be forced to "bend the knee". They were less excited about winning the Democratic primary than they were about defeating the Democrats. The submission of the enemy was the point.

This politics, fundamentally, demands not just victory but domination over the enemy. And as a result, it cannot tolerate -- it is infuriated by -- possibilities of agreement or reconciliation from the putative enemy. Often, the substantive issues supposedly being fought over are besides the point. If you wonder why some parts of the left can't seem to take "yes" for an answer, this is why: for Democrats to simply agree to some progressive proposal, without it being seen as somehow wrested from the party over its most primal objections, deprives these persons of the visceral sensation of domination -- it cheats them of their victory. So the framing will never be "I'm happy that they've moved closer to what I want," it can only ever be "they've retreated as a direct response to our pressure and collective campaign." The submission of the enemy was the point.

That's what's happening here in Venice. Some might naively argue that the message of the boycotters to Patir's decision is "counterproductive" -- why are they responding with such hostility and negativity towards an Israeli who is publicly stepping forward to demand a ceasefire? But as I often say, what's counterproductive depends on what you're trying to produce. If what you're trying to produce is more Israelis recognizing the imperative of a ceasefire, a collective change in Israeli outlook to alter the current bloody course, then yes this response might be counterproductive. But if what you're trying to produce is a world in which Israelis are stripped of autonomous choice entirely, are no longer in a position to self-determine at all or even be one agential part of a broader collective movement, then the boycotters' choice of action is entirely productive -- Ruth Patir's choice to close her exhibit, precisely because it was her choice, is just as threatening to that vision and equally must be crushed.

And just so we're clear: there's an Israeli parallel to this horrible political approach. There's a significant channel of right-wing Israeli thought which insists that peace can only occur when Palestinians acknowledge they've been beaten, that they've lost. From that position of submission, Israel can impose a new state of affairs that is vaguely and magnanimously promised to be just. But no deal can be reached under any terms if it is a deal made amongst equals, because the very notion of Palestinian equality is incompatible with them accepting they've been thoroughly defeated. Indeed, the whole idea of a deal that's agreed to by the Palestinians itself becomes automatically suspect -- if they agree, then it was not imposed, and if it was not imposed, then there was not truly submission.

But if your politics demands submission on a national or collective level -- Israelis or Palestinians as a whole forced to yield, forced to accept dominance, it is almost by definition not going to be one that actually is centered around equal respect for all. At most, it will promise to magnanimously dole out justice (more than they deserve) onto the vanquished party once it is well and clear that they are vanquished. But the vanquished will not be seen as candidates for equal participation in the future community. Indeed, any efforts they might make to participate -- even in ways that might superficially suggest they are aligned with one's own vision of what just equality might look like -- will only confirm that they have not fully submitted, and must be crushed further. The submission is the point.

To reiterate, this sort of toxic politics is not unique nor does it fully characterize the desires of either pro-Israel or pro-Palestinian actors. But it does seem like this particular campaign in Venice is one whose politics take this form of demanding complete and total Israeli submission above and to the exclusion of all else. And the results are exactly what one would expect.