Showing posts with label Star Wars. Show all posts
Showing posts with label Star Wars. Show all posts

Thursday, December 26, 2019

Rise of Skywalker: Quick Thoughts

In keeping with the traditional Jewish Christmas festivities, I saw a movie last night. I actually managed to avoid most of the substantive discussions of Rise of Skywalker in advance, and what I did read sounded so muddled and crossed that I managed to come in with no substantive expectations.

Now that I've seen it, I can say one thing with confidence: Rise of Skywalker is, without a doubt, the worst Star Wars film to have Wedge Antilles in it.

Of course, that still makes it presumptively better than all the films without Wedge Antilles in them. Does it manage to hold that high ground? Here are my quick thoughts (*SPOILERS*):

  • I think the movie starts off shaky and improves as it goes.
  • The new droid gives off a real Portal vibe to me. Also reminiscent of Portal: the GLaDOS rig-up that Emperor Palpatine is attached to.
  • The almost complete omission of Rose felt like the producers were giving in to the most toxic elements of the Star Wars fan base, and I disapprove.
  • I was among those who very much liked the idea that Rey really was "no one" descended from nobody of consequence, and so I sharply disagree the decision to make her the Emperor's granddaughter.
  • More so than the original trilogy or the prequels, the new trilogy (is that what we're calling it?) feels much more like a fantasy story than a science-fiction story. Ancient artifacts giving rise to eldritch power and all that.
  • Even for a Star Wars film, Rise of Skywalker in particular badly fails what I call the "James Bond" test (the James Bond test is how early and/or how often the movie would end if the antagonists were remotely competent at aiming). 
  • That said, did you ever notice how many Imperial First Order Last Order(?) troops died because they bother to ask questions before shooting? They're always yelling "freeze" or "show me your identification". Resistance fighters just blast people without giving anyone a chance to surrender.
  • The "hyperspace skipping" move in the beginning really strained my suspension of disbelief (even granting that I'm watching a super-futuristic Star Wars film). Much like the "hyperspace Kamikaze" move Admiral Holdo did in The Last Jedi, it feels too useful (even if dangerous) not to have been seen before. Also -- TIE Fighters aren't hyperspace capable, so how are they following the Falcon? And even if they are fitted with hyperdrives, how could they track it? Finally, the whole reason Poe does this desperate tactic in the first place is because they're being followed by a huge swarm of TIEs. But after a few "skips" they've only got two behind them -- they should be able to handle those with regular turret fire.
  • Speaking of suspension of disbelief, who exactly is crewing all those Last Order Star Destroyers? This is actually one of my least favorite genre conventions -- the big organization, seemingly all-but-fallen, having a giant secret army/base/fleet in a location completely unknown to everyone (Agents of S.H.I.E.L.D. is positively awful about this). Where does it get logistical support? What were all those crewmen doing back when nobody knew where Exogol was?
  • Another genre convention I hate: the big bad villain with hundred/thousands/millions/billions of deaths on his hands gets a redemption arc, while meanwhile, hundreds of random and relatively innocent mooks (indeed, the movie goes to some lengths to note they're mostly conscripts kidnapped as children) are slaughtered without remorse or a second thought.
  • On the other hand, great job with gender and racial equality here: I heard plenty of female voices in the random stormtrooper death screams!
  • After watching the conclusion of the narrative arc, I have to say: I really wish they had told the story of the Thrawn trilogy from the old Timothy Zahn novels instead.
  • This is all adding up to a pretty negative assessment, so I will say that I felt like the movie ends up being greater than the sum of its parts. But I still think it's probably my least favorite of the New Trilogy. And that's with Wedge Antilles in it!
UPDATE: I basically endorse Abigail Nussbaum's take.

Thursday, December 28, 2017

2018 Holiday Interregnum Roundup

What do you call the period between Christmas and New Years, anyway?

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The Huffington Post (H/T: Nancy Leong) profiles a group of Black gun owners -- getting their perspective on why they own guns, the racial history of gun rights in America, and their perspective on potential encounters with the police while carrying. Very interesting. I've blogged a bit on the intersection of race and gun ownership here and here.

Conservative intellectual Max Boot concedes that the anti-racists and the feminists were pretty much right all along about the presence of bigotry in America (and particularly the American right). Max was also the guy who wrote, in February 2016, that "I'm a lifelong Republican but Trump surge proves that every bad thing Democrats have ever said about GOP is basically true."

Rosa Doherty sees a woman she admires say something antisemitic. So she -- gently and privately -- brings it to her attention. It doesn't go well. "If messages sent in good faith, with the hope of deepening understanding, are rejected in favour of hysteria and hate, then 2018 will be as depressing as 2017 has been."

Scott Lemieux: "'Democrats Need To Run People Whose Policy Positions Are Identical To Mine In Every Jurisdiction,' A Useless Political Analysis Editors Love". Yes, yes, and more yes.

Houston imam "mortified" that sermon calling for Muslims to kill the Jews "is being seen as a call for" killing Jews.

"Cornel West Has a Jewish Problem." Even if you think headline is a touch provocative, this is a good column by Yishai Schwartz (I say this as someone who genuinely appreciated the volume West cowrote with Michael Lerner on Black/Jewish relations).

Speaking of Jews, trying to map "The Last Jedi" onto a debate about the virtues of Orthodox versus Reform Judaism strikes me as trying way too hard, but if you must indulge Jenny Singer clearly bests Liel Leibovitz.

This thread has it all:

  • Alt-right troll: "Let me list all the Jews who run the media!"
  • Jew: " You're antisemitic trash. Also, that list isn't even accurate, so you're not even good at making lists of Jews."
  • Far-left Corbynista: "Well they are all 'Zionists', so stop your nitpicking and show some solidarity with our allies in the struggle."

Tuesday, December 26, 2017

Review: The Last Jedi

*Warning: Spoilers*

We saw The Last Jedi last night at a theater in Destin, Florida. Apparently, the goyim know about the "see a movie on Christmas" trick (I suppose they all could have been Jews, but we're on the panhandle, so I doubt it).

Overall, I thought the movie was very good. But before we go any further, I should probably address the issue that's at the foremost of everyone's mind. To wit: The Last Jedi decisively proves (as if there ever was any doubt) that Poe Dameron is no Wedge Antilles. By my count, Poe's impulsiveness and "I know best" arrogance ends up ruining carefully-laid Resistance plans not once but twice. Losing the bomber squadron may have been forgivable, but Vice Admiral Holdo's escape plan would have worked were it not for the infiltration plot that Poe decided he just had to try. Poe Dameron has the deaths of literally half the Resistance on his hands thanks to that stunt.

Okay, that's out of the way. Overall, The Last Jedi is clearly better than The Force Awakens. If the latter was a shot-for-shot remake of A New Hope, the former is an amalgamation of Empire Strikes Back and Return of the Jedi. But not only is it different enough from both of these films to not feel derivative in the way The Force Awakens clearly was, focusing on its original-trilogy predecessors distracts from the bigger influence on The Last Jedi: Rogue One. One of Rogue One's greatest strengths was how it started to turn away from the "one true hero whom everything revolves around" tenor of the series, in favor of a narrative equality between main characters and side players. Like Rogue One, this is a grim movie, and not only does not everyone get a happy ending, not everyone even gets a glorious, cinematic ending. In both major revelations and smaller, more subtle moments, The Last Jedi continues to reinforce a refreshingly egalitarian message that to my mind opens up more storytelling potential untethered to the "What are Luke/Han/Leia and/or their children/relatives/secret lovers up to" well.

Obviously, the big iteration of this is the strong implication that Rey is, in fact, nobody. Not a child of destiny, not secretly related to the Skywalker clan, just ... a nobody, who happens to be force-attuned. But for me, some of the most powerful moments in the film were where it made clear that every member of the Resistance has a rich inner life and story that (for them at least) is on par to that of any of the main characters. The knowing nod between two starfighter pilots as they prepare to take off -- only for both of them to be vaporized when a proton torpedo enters the hanger bay. The bombardier clutching her necklace charm as she desperately tries to complete what she now knows is a suicide mission (this was an effective scene even without the later revelation that she's another major character's sister).

None of these characters "matter" in the grand scheme of the narrative. But people who don't matter, still matter. They have their own lives, motivations, relationships, and personalities, and The Last Jedi does a very good job communicating that throughout the film.

What makes these sequences so effective is that they are not emphasized or given any special significance. Most directors don't bother to pay attention to such side players at all, and those that do often revel in accentuating the head fake ("Oh you thought so-and-so was going to be a main character? Surprise! Laser to the face!" Looking at you, Joss Whedon). By playing it straight, The Last Jedi reinforced one of the most powerful narrative themes there can be in a war movie: everybody has a story, everybody has a narrative, and so having a story and a narrative doesn't make you special and doesn't offer any protection.

From a fan-boy perspective, I appreciated some of the new tactical permutations that were shown in space combat. Getting to see B-wing bombers was pretty cool, and the "slice open the Star Destroyer by hyping through it" was a neat trick (though if that works, it's unclear why the Resistance wouldn't have used it more often as a Kamikaze tactic -- it is a brutally effective way of neutralizing the First Order's capital ship advantage). We can quibble with some details (has nobody invented autopilot yet?), but for the most part I was able to suspend disbelief.

Obviously, the newer iterations of Star Wars are light-years ahead of their predecessors in terms of gender equality. A slew of excellent female characters are well presented and fully fleshed out -- and again, what's most important aren't their presence among the leads (Rey and Leia, though they both are fantastic) but as integrated up and down the supporting cast. Plenty of action movies have one or (maybe) two Strong Female Characters surrounded by a sea of indistinguishable dudes. Rarer is the film wherein women are just a normal part of the universe -- occupying mid-level command posts, serving as infantry grunts, working as unremarkable technicians, and so on. The Last Jedi is exceptional along this front, and deserves much credit for it.

Overall, The Last Jedi was to my mind the best Star Wars film since the original trilogy. I don't really understand the backlash against it, and I do think it works very well as a strong second act setting up a potentially epic Episode IX. So well done Disney, and well done Rian Johnson. The Force is strong in this one.

Assorted bullet thoughts:

  • Where are all the aliens? If the Resistance and the First Order are finally gender-integrated, the conflict still seems strikingly human-on-human. Aside from Chewbacca, I counted one indeterminate alien starfighter pilot and one Sullustan (apparently Nien Nunb -- his fan club can rest easy). There actually could be something darkly amusing if this huge galactic conflict really was basically an intra-human spat and the other species of the galaxy just didn't care ("Humans ... there they go again"), but that doesn't seem to be the message of the film.
  • Captain Phasma continues to hold the "Boba Fett character who seems like a total badass even though she actually doesn't really do anything" award. The Praetorian Guard certainly made a good run at it, though.
  • I love the humor in The Last Jedi. All the major laugh moments do it for me, but the one that really killed me was when Rey "reaches out" to grasp the Force. Mark Hamill's eye roll game is on point.
  • Speaking of, I have mixed feelings towards how Luke is portrayed in the film. I neither love it nor hate it, but I do think that Mark Hamill gives it everything he has. His "brush your shoulder off" move is also on point.
  • Kylo Ren is turning into a pretty solid villain. It might have been interesting had he succeeded in turning Rey, though. Now that would have been a plot twist nobody would have seen coming.
  • I appreciate Vice Admiral Holdo is shown to be competent along all dimensions. Again, her escape plan would have worked had Poe not ruined it. And she also seized an opportunity to escape her captivity when it was presented.
  • Man, Jedi have gotten a lot more powerful in the past few decades. Remember when Yoda could impress us by lifting one starfighter out of a swamp?

Wednesday, December 28, 2016

Rogue One Bullet Thoughts

I saw Rogue One yesterday afternoon, a film that has been dividing my friends between "very good" and "not good at all." I think it was actually quite good. A very different, darker vibe than any other Star Wars movie, but it did its job well. Below are scattered thoughts -- some spoilers.

  • As a prequel, this is clearly far superior than Episodes I through III. That's not too high a bar, of course, but it's good to get out of the way.
  • The most important question for any Star Wars movie -- but particularly one titled "Rogue One" -- is whether Wedge Antilles was in it. And the answer appears to be yes ... sort of. Those weak in the force might think that the reference to "Captain Antilles" heard in the movie is a callout, but obviously that's the (no relation) Antilles who captained the Tantive IV (the rebel corvette captured by Darth Vader at the start of A New Hope). But reportedly there was an audio-only cameo by the actor who voiced Wedge in the first movie. Though (I'm embarrassed to admit this) I don't know what the line was.
  • A lot of people complained that the characters in Rogue One were not sufficiently fleshed out such that we came to care about them. I get that criticism, but in a weird way I think that was sort of effective. This was a movie about pretty everyday people fighting for the rebellion. Nobody was the mythical child of destiny, or even particularly special, and so (with the semi-exception of the lead) nobody had some grandiose backstory or sweeping character arc. The movie didn't give the sense that the particular characters it focused on were cosmically more important than the "NPC" characters that surrounded them, and I found that a surprisingly impactful choice -- particularly in a movie where everyone is basically doomed at the end.
  • On that same note, many "war" movies treat all "NPC" soldiers as basically robots. They die immediately in one hit (unlike speaking characters, who survive long enough to be cradled and get a few haltering last words). They never care about their fellows being killed or maimed around them. One thing I like about Rogue One is that it was at least better on that score, and that reinforced the fundamental "equality" between the main characters and the extras.
  • This is a grim, grim movie. More or less everyone dies at the end. That makes sense given where A New Hope picks up -- the Rebel Alliance is in dire straits there, so something must have happened to devastate its fleet and (more directly) explain why none of these people are seen in the following movies -- but tonally it is very different even from The Empire Strikes Back (the other "dark" movie).
  • Forest Whitaker's performance as Saw Gerrera (who, for the entire movie, I thought was "Sol Guerrera") was bone-achingly bad.
  • Oh, one more: With the addition of "mountains" and "tropical atoll", has the Star Wars franchise now covered all major topographies? There's desert (Tatooine), tundra (Hoth), forest (Endor), swamp (Dagobah) ... have we done "rolling prairie"? Is Naboo a prairie? I'm trying my best not to remember.

Tuesday, December 06, 2016

Things People Blame the Jews For, Volume XXXII: Star Wars

"Star Wars: Rogue One" is coming out this month. Are you excited? I am (though if a certain Rebel X-Wing pilot isn't in it, I am going to be pissed)! The alt-right? Not so much.
White supremacists are calling for a boycott of the latest “Star Wars” movie as evidence of a Jewish plot to foist racial diversity on whites, even as some on the “alt-right” say they watch the film and root for the evil Empire.
“(((Star Wars))) Is Anti-White Social Engineering,” a Reddit user named GenFrancoPepe posted in a forum for the “alt-right,” a hard-line white nationalist movement. The triple parenthesis, known as an “echo,” is a way anti-Semites online call attention to Jewish names or perceived Jewish influence. 
The evidence: “Alt-right” writers point out the multiracial makeup of the stars in the new film, the female starring role, and that Jewish producers and writers were involved. Criticism of the film evokes one of the central tropes of modern anti-Semitism, envisioning a Jewish cabal promoting multiculturalism to suit its own nefarious goals — at the expense of an embattled “white civilization.”
Say what you will about the massive Jewish conspiracy to undermine White civilization, but it makes for some damn fine escapist cinema.

Monday, January 04, 2016

"The Force Awakens" Was Ruined Because Wedge Antilles Wasn't In It

The following is a work of self-parody. Even though I enjoyed "The Force Awakens," I basically believe what I'm writing below because Wedge Antilles is awesome. That said, I also know that my sentiment is abjectly ridiculous, so I'm deliberately writing it in as overblown fashion as possible.

The critics love the new Star Wars movie. Fans are ecstatic that something has washed away the wretched prequels. And I can't say that it didn't have its moments. But The Force Awakens comes with one unforgivable flaw: Wedge Antilles isn't in it.

Now you may be wondering, "David, why do you care so much about a character who got maybe a minute's worth of screen time in each of the original three movies?" First of all, notice the end of that sentence: "each of the original three movies." That's right: Wedge is in all three of the movies comprising the holy trilogy. You know who else makes that cut? Luke, Leia, Han, Chewbacca, C-3PO, R2-D2, and Darth Vader. Oh, and Obi-Wan Kenobi, if you count his blue ghost form. You know who isn't on that list? Boba Fett (being photoshopped into A New Hope doesn't count). Jabba the Hutt. Admiral Ackbar. Yoda. The Emperor. This is an elite crew.

And what does Wedge do during his on-screen time? Well, he kicks things off by being one of three starfighter pilots to survive the first Death Star trench run, serving as a human shield for Luke Skywalker and taking fire for long enough so that Han Solo could bail his buddy out. Then he moves on to Hoth where he is the first snowspeeder pilot to take down an AT-AT using the "tie them up with tow cables" trick. Fancy flying! What was Luke doing? Getting shot down and having his gunner squished by a giant metal foot, that's what. Following that, Wedge leads Red Squadron in the Battle of Endor, surviving another Death Star trench run (the only pilot to have two on his ledger) and blowing the damn thing up from the inside out (Luke's contribution to the battle, by contrast, was to surrender to his daddy at the outset). And that doesn't even get into what he did post-Endor: commanding Rogue Squadron, leading the commando team that captured Coruscant, liberating Thyferra ... the list goes on (and for those of you crying "but that isn't canon anymore," shut it. I'm an Orthodox Star Wars fan. I don't accept the legitimacy of the Disney Reformation).

Wedge Antilles, in other words, has enough heroic deeds in the space of three minutes of screen time to match what any of the "real" stars did over six hours of film. And unlike said celebrities, Wedge does all of this without the benefit of a character shield. George Lucas isn't George R.R. Martin: we could be pretty confident that Han, Luke, and Leia were going to make it until at least the end of the final movie. But someone like Wedge is perfectly dispensable -- just ask Biggs Darklighter -- which makes his protagonist-level accomplishments all the more badass.

And yet, The Force Awakens proceeds with not a single Wedge Antilles sighting! Instead, we get a movie that begins with a lie: the title crawl informs us that "Leia has sent her most daring pilot on a secret mission...." only to find out that it's some dude named Poe Dameron. Poe Dameron? How many Death Stars does he have painted on his X-Wing? Here's a hint: less than two.

The real agony is that the actor who played Wedge, Denis Lawson, was actually offered a role in the new movie and turned it down. Apparently, the role was too small and would be "boring." Now look: like all decent human beings, I was obviously hoping that the new Star Wars movies would center entirely around Wedge and Rogue Squadron. But buck up, man! This is Star Wars, and you're a legend! Take your hundred grand and show these nerf-herders what a real X-Wing ace can do with a one minute cameo appearance.

Was The Force Awakens better than the Star Wards prequels? Yes, obviously -- they didn't have Wedge in them either. But no true successor to the original trilogy can justify ignoring that story's greatest hero. You can keep your Han Solos and your Poe Damerons and your MIA Luke Skywalkers. Wedge Antilles is the greatest starfighter pilot in the galaxy.

Thursday, July 04, 2013

Happy Fourth!

To what few people still read this, hope you're having a Happy Fourth of July!

Jill and I already began celebrating earlier this week with a commemorative exchanging of gifts. Jill gave me a box filled with debris, and a day later in exchange I gave her a scale model TIE Fighter!

Saturday, November 05, 2011

Canadian Boxer or Jedi Knight?

I just put this up at Bad Left Hook, but I'll repost here as well (and if you prefer, here it is in Sporcle form):

(1) Bardan Jusik

(2) Janks Trotter

(3) Schiller Hyppolite

(4) Kyle Katarn

(5) Arash Usmanee

(6) Corran Horn

(7) Manolis Plaitis

(8) Ghislain Maduma

(9) Even Piell

(10) Denton Daley

* * *

ANSWERS: (1) JK (2) CB (3) CB (4) JK (5) CB (6) JK (7) CB (8) CB (9) JK (10) CB.

Wednesday, July 14, 2010

Negotiated Roundup

You'll get it, but you got to give me something in return.

* * *

For the record: That North Korea published this propaganda picture does not in any way constitute an admission that they sunk the Cheonan.

The judge as defense counsel.

Ta-Nehisi Coates on the culture of excessive force.

The IDF specifically lauded B'Tselem for its assistance in providing information leading to the indictment of several IDF officers for war crimes during Operation Cast Lead. Gerald Steinberg of NGO Monitor, a frequent B'Tselem critic, also acknowledged that "B’Tselem really does have a credible research capability."

There is no such thing as too conservative to get on TV. Birtherism, rampant racism, conspiratorial paranoia -- it's free range out there!

Star Wars subway action.

Argentina considering legalizing gay marriage.

Tuesday, March 02, 2010

Throw Down The Middle -- It's a Gap!

The old mascot of the University of Mississippi was one "Colonel Reb", a reference to the old Confederate Army. The university recently provisionally abandoned the mascot, and a new search is underway. One originally parodic suggestion that's been gaining real steam is, amazingly enough, Admiral Ackbar, leader of the Rebel Alliance from Star Wars. Like Ilya Somin, I heartily approve.

Also, I thought long and hard about this title. I hope it works.

Friday, November 27, 2009

Tie Fighter!

Never has a MIDI soundtrack sounded so good (seriously: it's done excellently).

I managed to install Tie Fighter on my computer last night. It was a hell of a trick -- requiring me to download a specific program and fiddle with about a dozen settings, with any mistakes requiring me to uninstall and reinstall everything and start anew -- but I got it done. Unfortunately, this likely spells the end of law school for me (not to mention my relationship). But still: Tie Fighter! Tie Fighter!

Friday, August 15, 2008

Saturday, June 23, 2007

Comic Relief

It's moments like these that would make having kids completely worthwhile:
The other day my mom was discussing the day’s Biblical lesson with Ethan. She too wonders how much he has internalized the things they teach in church, albeit for different reasons than I.

“E, do you remember the verse for the day?” she asked.

“Know the Lord,” Ethan replied dutifully.

“Good!”

“But the only Lord I know is Lord Vader. And he’s evil.”

Jesus....I am your Father!